From cataloging to previewing, the black light is an essential tool for the American & European Works of Art department. There are two main types of black light devices we use in the department, one being affectionately termed “the beast,” as it produces quite a strong ultraviolet light that can cover a wide surface area; the second has both black light and incandescent light, of which the black light produces a softer glow than “the beast” and can pick up more subtleties, such as older retouch.… Read More
Tag Archives: art authentication
Provenance research can be like looking for a needle in a haystack, where sometimes what you find is a strong thread. Such was the case with a Picasso drawing that will be sold on May 16, 2014 in the American & European Works of Art auction at Skinner in Boston.
George Leslie Stout, the Fogg Art Museum’s first conservation department head, articulated the best practices for art authentication as a “three-legged stool,” and his model is still generally accepted today.… Read More