This post continues a series of stories behind some of the top highlights in Skinner auctions from the past decade. Through telling these stories, we hope to shed light on where the market has been and where it’s going now.
Fitz Henry Lane, Manchester Harbor
Skinner set a new world record for a painting by Fitz Henry Lane in November 2004: a record that still stands today. The $5.5 million price bested the previous world record price for the artist by over $1.5 million. Even more exciting, this was the third record price that Skinner set for a work by Fitz Henry Lane, who is widely regarded as one of the foremost American painters of the 19th century. At the time, this painting was also the most valuable artwork ever sold at auction in New England.
Lane was born in 1804 in Gloucester, Massachusetts, and spent much of his youth sketching the Cape Ann shore, north of Boston. He also seems to have undergone two name changes, only one of which was of his own doing. He was born Nathaniel Rogers Lane. As a young man he changed his name, possibly to differentiate himself from the well-known miniature painter Nathaniel Rodgers. He apprenticed with William S. Pendleton, the Boston lithography firm, in the early 1830s, specializing in topographic views. At this time, he began signing his works “F.H. Lane.” Lane fell out of favor with collectors in the late 19th century, and remained that way well into the 20th century. As of the 1930s, if scholars considered Lane at all, they considered his name to be Fitz Hugh Lane. In fact, when Manchester Harbor sold in 2004 this was still thought to be the case. It was not until 2005 that researchers in Gloucester, Massachusetts rediscovered the 1831 letter Lane had written to the Commonwealth of Massachusetts requesting
a name change to Fitz Henry Lane.
Whether you call him Nathaniel, Hugh, or Henry, the artist probably saw the works of Robert Salmon and Washington Allston in Boston in the early 1840s. It was at this time that he decided to concentrate on painting. The paintings of the late 1840s and early 1850s reflected Lane’s earlier graphics training, in conjunction with the influence of the marine artists of the earlier generation. As is apparent in Manchester Harbor, the foreground details with its figures, piers, and spits of land, the scale for the work while accentuating the vastness of the view and its light. The low placement of the horizon line allows for an expansive sky. Tinted with the warm hues of sunrise and reflected in the calm waters, the light becomes the focus of the work, as is typical of Luminism.
The horizontal arrangement of the composition creates stillness in spite of the great, varied activity of the foreground. In conjunction with the concentration of light around a sun viewed through clouds just above the horizon, Manchester Harbor foreshadows the increasing calm and poetry of Lane’s mature Luminist style as it would emerge in the late 1850s.
From my experience as an appraiser of fine paintings and prints for Skinner and on Antiques Roadshow, I know how rare it is to find a masterpiece like this one. Every time I sell a fabulous painting at auction, I wonder how many more there can be left to find? But I know there are many more amazing finds out there.
If you have an exceptional painting or print by a well known artist, and would like me to take a look, please call and set up an appointment at 508-970-3299.
I HAVE SEVERAL PRINTS AND PAINTINGS I WOULD LIKE YOU TO LOOK AT.SOME OF THE PRINTS ARE NUMBERED AND OTHERS ARE NOT. THERE IS A PRINT OVER 100 YEARS OLD. ALSO, A CIVIL WAR VETERAN J.STEEPLE DAVIS HAS A PEN AND INK OF A PRIVATE SHIP. THERE ARE 3 OR 4 OTHERS. PLEASE ADVISE I CAN TAKE PICTURES OF THEM IF YOU WISH.
Thank you for your comment. We’ll be in touch via email about your paintings and prints. Learn more about how to consign to auction here: https://www.skinnerinc.com/blog/2011/05/consigning-property-for-auction-antiques-appraisal-process.php
Thanks for this informative piece. I was surprised to learn that the man had so many names! Of course this lends to this curiosity: are his signatures as diverse?
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I have Fitz Hugh Lane lithograh called a view of norwich from the west side it’s been in my family since I was little can u tell me any thing about it? Thank you Debra Murallo
To find out what your lithograph may be worth at auction, please submit photos and an auction evaluation form on our website: https://www.skinnerinc.com/selling/auction-evaluation-form/
To find out what your print may be worth at auction, please submit photos and an auction evaluation form on our website: https://www.skinnerinc.com/selling/auction-evaluation-form/
I have a F. H. Lane, dated 1853, Boston Harbor. It is a oil on canvas. It shows a State House in the background.
My name is Brandon Lane. I’m actually related to Fitz Henry Lane. I’d love to see a picture of the portrait. you can reach me at firstname.lastname@example.org