• Blog
  • The Color of Wolf Kahn

The Color of Wolf Kahn

The art of Wolf Kahn is challenging to categorize. His loose, gestural brushstrokes take their cue from the Abstract Expressionists. Kahn studied and worked with Hans Hofmann in the late 1940s and early 1950s. Likewise, his palette is intense and expressive. Unlike some of his contemporaries, Kahn’s subject matter is very much representational. He is best remembered for his energetically colored landscapes.

Hans Hofmann (American, 1880-1966) Image in Blue, oil on canvas, 30 x 24 in. (Lot 385, Estimate: $80,000-120,000)
Wolf Kahn (German/American, 1927-2020) Blazing Beaver Pond, oil on canvas, 22 x 32 in. (Lot 310, Estimate: $15,000-20,000 )

Some of these landscapes, such as Blazing Beaver Pond have palettes based on nature, but with heightened intensity. The yellows and oranges of the foliage are akin to the colors seen in New England during the height of the leaf-peeping season in strong sunlight, although the periwinkle and rose tones in the cloud cover preclude such light.

Wolf Kahn (German/American, 1927-2020) Trunks the Color of Orange, pastel on paper, sight size 21 1/2 x 29 1/2 in. (Lot 313, Estimate: $4,000-6,000 )

Other landscapes, such as Trunks the Color of Orange, are more intensely colored and highly keyed for emotive effect. In Trunks the Color of Orange the tree trunks are saffron and orange as they might become with the “golden hour” light of the late afternoon. The leaves just budding out on the trees, likewise take on this tonality, but in combination with the chartreuse of young spring leaves. Behind them all is a wall of lavender, perhaps a rolling hill cast into shadow by the setting sun. These colors are wildly expressive and exuberant; they communicate the joy of a spring afternoon, set alight by a sun low on the horizon.

Wolf Kahn (German/American, 1927-2020) Drawn Downhill, oil on linen, 36 x 52 in. (Lot 314, Estimate: $25,000-35,000)

Drawn Downhill is more expressive still. Autumn grasses appear to be not just golden, but on fire. The fruit trees just creeping into the blazing fields bloom white but with intensely green shadows. The trees further back are again ablaze, this time in orange, and beyond are rolling hills the color of red wine. Over all is an impossibly blue sky. The result is a crazy quilt landscape of riotous color celebrating the vivacity of fall colors in New England.

In all three works, the colors are presented in large bands that flatten space and with brushstrokes that further energize the palette. Whether your tastes run to a palette that is merely heightened nature or one that is utterly expressive, Kahn created thoroughly modern landscapes.


One thought on “The Color of Wolf Kahn

  1. I found this entry interesting, beautifully written and informative. When I was a youngster, my mother, Anneta Duveen, was director of the Hansa Gallery, and Wolf Kahn was one of the artists represented. In archival files, I have some record of sales. A pastel sketch by Kahn went for $80. Of course the dollar in the mid-1950s was a great multiple in value of what it is today due to inflation. For example, today it takes maybe 1700 dollars to purchase an ounce of gold, but back then, it took only 35 dollars. On that basis, that would make the purchase more than 3,900 of today’s dollars. The pastel was sold to Jules Salmanowitz, who was the head of the American division of an international shipping firm.

Leave a Reply

Your email address will not be published. Required fields are marked *