Meet the Experts: Judith Dowling, Director of Asian Works of Art, Part II

Expert appraisers of all manner of fine art and decorative objects work together at Skinner auction house to find, appraise, and research rare, beautiful, and historically important items. In this blog series, we will meet some of these experts and learn the stories behind their success.

Skinner recently welcomed Judith Dowling as Director of the Asian Works of Art department. Part I of the interview describes her career path and plans for the Skinner Asian Works of Art department. In this post, we’ll learn more about her favorite objects.

Discovering Antiquities and Post-war Japanese Art

Chinese Painting | Album of Paintings "Hai Pai Yi Yun"

Two leaves from an album of Chinese paintings featured in the April 20-21 Asian Works of Art auction (Lot 185, Est. $10,000-20,000)

When did you first travel to Asia?

While I was in graduate school studying Asian art, my husband had a sabbatical, and we took it in Japan. Before that, I’d visited Japan once or twice, but living there allowed me to immerse myself in the culture. I also went to China for several weeks, very soon after the country had opened up to the West. After I opened my gallery in Boston, I returned to Japan regularly looking for material.

What types of objects did you buy on these trips?

My interests have always been with traditional Japanese art, not art that was created for export from Japan. This covers a time span from prehistoric ceramics right through to the early formation of the Meiji period. At this time, a lot of artists still created traditional paintings and ceramics. After 1868, Japan opened up to the rest of the world, and I found that material after this time had too much Western style and influence for my taste. I stuck with early ceramics, Buddhist art, and paintings, as well as some folk art.

Did you keep any great finds for yourself?

I decided that it seemed counter-intuitive for me to keep my best things as I bought them over the years. If you do that, clients notice. They say, “She’s got the best things, and I want those.” To avoid this conflict of interest, I decided to collect post-war Japanese art. I’ve built up an impressive collection of post-war Japanese oil on canvas, etchings, modern etchings, and sculpture.

What made you decide to start that collection?

In the early days when I had just opened my gallery, I would go to auctions in New York, and I would see these post-war Japanese paintings. They were beautiful, and nobody was buying them. So I started buying them, and developed a whole new area of interest.

It was great fun, but I do think that out of all of the antiquities I found, I probably should have kept one or two!

Is there a particular object that you really regret selling?

Yes, it was a magnificent hand scroll by one of the great artists of the Rimpa school named Honami Kōetsu, featuring gorgeous calligraphy, paintings, and gold and silver. I wish I had kept that. But it’s very hard to keep merchandise like that and keep a business going.

When you give seminars or speak about Asian Art, what is your favorite topic?

I like to do a survey of Japanese art starting from very old prehistoric art and early ceramics through the influence of China coming in. There isn’t much exposure in the West to Asian art or culture. I’m so thrilled to have learned about these different cultures and to now have the opportunity to share my knowledge and experiences.

The next Asian Works of Art Auction will take place April 20th and 21st in Boston.

2 thoughts on “Meet the Experts: Judith Dowling, Director of Asian Works of Art, Part II

  1. Pingback: Asian Art Expert | Judith Dowling, Director of Asian Works of Art

  2. Hello,
    Firstly, I wanted to express our concern here in Nova Scotia over the cowardly act of terrorism in Boston-I was a professional soldier in the Canadian Army…when they find the individual(s)responsible might it not be a good idea to lock them in a sound proof area with all the concerned family members who either suffered the loss of a loved one or perhaps had someone seriously injured, physically and/or psychologically. Our hearts and prayers go out to the ‘Boston Strong’-we never forgot how your folks answered the bell after the Halifax Explosion.
    I have noted with interest that your field of expertise is quite strong, given your history with Japan in the Japanese Arts. My inquiry though revolves around an exceedingly rare 18 inch 4 panel, carved and decorated Chinese porcelain vase(not the cheap versions that are being essentially ‘mass produced’ in Zibo. I spent over 1400 hours during an eleven and a half month span, playing the devils advocate…trying to find any piece of information that would indicate what I had found was not a Contemporary Chinese “National Treasure” that bears a chop mark date for the Millennium year 2000…my understanding that the process of creating this work would have been very involved, probably taking a year or more. The one legible of three red Artist/Carver seal marks literally translates into “Snow Peaks”. Would you be able to render me any assistance, advice or perhaps point me in the right direction. I’ve gone as far as repeatedly calling the Senior Asian Art Appraiser at the ‘Beijing Poly’ auction house, only to hear a recording stating that his voicemail was full…
    Thank-you Kindly Madam,
    Thomas J. Pelchat CNM
    Halifax, Nova Scotia

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