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Fifteen Utagawa Hiroshige (1797-1865) Woodblock Prints, Japan, a cover of the series Thirty-six Famous Views of Mount Fuji; two from the series Fifty-three Stations of the Tokaido including Nihonbashi and Shinagawa, published in 1855 by Tsutaya, both backed, tate-e; Summer Moon at Ryogoku, from the series Three Views of Famous Places of Edo, published in 1843 by Maruya Jinpachi; Kasumigaseki After a Snowfall from the series Eight Snow Scenes of the Eastern Metropolis, published in 1928 by Shotaro Sato, severely toned and flaking with tears and taping remnants; two from the series Fifty-three Stations of the Tokaido including Chiryu, later edition and Yoshida, backed, both Hoeido edition, originally published in 1831-1834; four from the series Famous Places in the Eastern Capital, including Shinagawa Bay from Kaumigaseki, published in 1842-1846 by Kikakudo/Sanoki with Tanaka censor's seal and Cherry Blossoms in Full Bloom at Asuka Hill, published in 1840-1842, backed, Autumn Scene at Takanawa, published in 1851-1853, with two censor's seals with date without publisher's seal and View of Takanawa, originally published in 1835-1838 by Kikakudo, backed with cropped margin (severe burning and fine tears along edges); two from the series Famous Views of the Sixty-odd Provinces, including River Tatsuta and Tatsuta Mountain in Yamato, published in 1853-1856 by Koshihei (severe foxing in progress, taping residues on reverse) and Amanohashidate Peninsula in Tango, later edition, both tate-e; two from the series Soga Monogatari Zue, 3rd and 14th, both published in 1845-1848 by Ibasen, both with backed tears, oban tate-e, all oban yoko-e unless stated otherwise, sizes to 10 1/8 x 14 5/8 in.
Two Centuries of Japanese Prints
overall toning, age wear and tear, some with severe foxing and tears, tape residues, stains, mostly backed or reinforced with additional paper.
The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission.