Description:
Thomas Hart Benton (American, 1889-1975)
Hudson River View, c. 1912
Signed "Benton" l.r.
Oil on canvas, 10 3/4 x 10 3/4 in. (27.2 x 27.2 cm),framed.
Condition: Subtle surface grime.
Provenance: From the artist to his near neighbors, Morris and Victoria Zeitlin, Massachusetts, then by descent to the current owner.
N.B. Benton painted this oil on canvas in the summer of 1912 during his first year in New York City, when he was twenty-three years old. At this time, Benton had just returned from a trip to Paris, and the painting shows the influence of Paul Cézanne and the Fauves. However, this view of the Hudson River is tempered by a flattening of form, indicative of the fact that Benton was becoming more interested in decorative patterns. This is an early work for Benton, who would emerge during the late 1920s as a leading figure of the Regionalist art movement.
Estimate $30,000-50,000
Very fine, stable craquelure. No additional condition issues to report.
The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission.
Keywords
Morris Zeitlin, Victoria Zeitlin, New York City, ParisRobin S.R. Starr
Vice President
Director of American & European Works of Art
508-970-3206
Elizabeth Haff
Specialist, American & European Works of Art
Old Masters & 19th Century
508-970-3206
Kathleen M. Leland
Specialist, American & European Works of Art
Modern & Contemporary Art
508-970-3206
James Leighton
Specialist, American & European Works of Art
Fine Photographs
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American & European Works of Art
The American & European Works of Art department brings years of experience, connoisseurship, and knowledge of art history to bear in every fine art appraisal, evaluation, and auction.